1000 miles away from the beating musical hearts of Rio and São Paulo in the late ‘70s, the Brazilian city of Belém gave rise to a little-known record label called Erla - Estudio Rauland. Though not prolific in its output, the label made up for it in quality and experimental offerings, with several records on the label now becoming sought-after pieces among collectors. One such release is the sublime four-track psych, MPB, rock EP by singer-songwriter Jarbas Mariz.
They say never judge a book by its cover, though on this occasion you pretty much can. The wonderful tripped-out ‘70s artwork by Baby is a sure-fire indication of the music lying within. Though the EP was recorded in ‘77, it clearly gained inspiration from the psychedelic hippy idols of the previous decade and could easily have been a soundtrack to an acid trip scene in an obscure Brazilian movie.
Low-fi and quirky, there are moments of beauty and splendour but also hints of darkness; with a sublime balance of music and styles throughout. At points Jarbas will have you drifting through a folk flute daydream, the next moment a growling, psych-distorted guitar breaks and parts the calm. An ability to make those elements blend cohesively is where Jarbas’ true brilliance shines through.
Jarbas played, and still plays, with some of the key figures in Brazil's musical underground. Guilherme Coutinho (whose Guilherme Coutinho - E O Grupo Stalo album from ‘78 was also re-issued on Mr Bongo) features on electric piano for this release, with fans of his work being able to pick out his tones and playing style. Elsewhere, Jarbas also collaborated with the late great Lula Côrtes on the 'Bom Shankar Bolenath' album from 1988 and 'Rosa De Sange' from 1980. He was a member of the wonderful Cátia de França band and is a regular in the legendary Tom Zé group.
'Transas Do Futuro' is a special record and one we are honoured to be reissuing.
supported by 4 fans who also own “Transas Do Futuro”
The production values are exactly the same as mine, in that the drums & bass guitar are right up in the mix. This is a great introduction into the world of Project Gemini. I can hear so many influences in this record, Dave Pike Set & The Karminsky Experience spring to mind. A very good friend turned me on to this record. I was busy making my own vibe but I took a listen and ended up listening to the whole thing. Awesome stuff. Colours & light is next. karlosjackal1973
supported by 4 fans who also own “Transas Do Futuro”
Amazing from start to finish. Sort of like encountering Harry Smith's Anthology of American Folk Music for the first time, it's like stepping off a spiral staircase into the deep end of a whole 'nother universe of mysteries. "Triptik 2", the closer, is one of the most jaw-droppingly strange/hypnotic collisions of jazz, electronica, psychedelia and WTF I've ever heard - and yet it somehow works. Bought both volumes just on the strength of the first one & hoping there are many more to be issued. rocketmorton
The 10 tracks on this compilation were all recorded at the Ilha Do Corvo studio in Belo Horizonte, Brazil and boast rich, warm textures. Bandcamp New & Notable Nov 20, 2021
supported by 4 fans who also own “Transas Do Futuro”
This is a great follow up to 'The Children of Scorpio'. It has the same musical influences and ingredients as their debut but with added levels of depth and flavour. What I mean by that is the drum breaks are more edgy and the funky bass lines are even more funky than before. We hear from additional vocalists like Jack Sharp from Wolf People / Large Plants which is fantastic. The production levels have gone up a notch which all in all makes this album a repeat customer on my turntable. karlosjackal1973